Rich, Saturated colors in Watercolor
January 27, 2013
“Three-plus Poppies”, ©Jill Rosoff 2013, 4″ x 6″
I have these small pads of watercolor paper that I keep around for quick “jots” of ideas like this one. In watercolors, any whites in a painting are the paper left untouched, since watercolor is a transparent medium, and the transparent version of white is, well, nothing. Transparent. It’s a fun conundrum to play around with.
In this piece, I wanted to leave no blank paper, no white areas, but instead to paint the whole piece of paper, and to let the shapes of the flowers do most of the talking. Getting the colors this rich and intense is a fun challenge in watercolors. And there’s still good contrast between the brightness of the yellow centers, and the dark lines where the green paint overlapped the red. Unintended, and perfect.
One other thing: I love rich, vibrant and maintaining a sense of the transparency in the paint. In watercolors it is possible to use too much paint, which when it dries, looks dry, dusty and opaque, qualities that you just don’t strive for in watercolors. I like striving for the saturation and the transparency, especially since they are paradoxical. Fun!
It’s now available on Esty here.