Being On the Other Side of the Painting Experience, Part 1

September 25, 2012

The artist, next to my tulips painting (see the clipping of it over in the right-hand column, there).  Segment of painting in process, by Janet Logan

A little over a week ago, for my first time ever, I was the model for a small artist’s group.  This all came about when 2 friends, mother and daughter, came over for coffee in July.  I met Connie while at an former job, where one of my responsibilities was to schedule educational seminars for the members of the professional organization.  Connie worked for a company in New England that gave qualified educational seminars, which she brought to us and was the seminar presenter.  She came out a total of three times, over the years, but when she came to do the first one, she asked if her mom, who lived nearby, could come to see her give the seminar.  Her mom, Pat, turned out to be a painter too, and we immediately hit it off.  After I left that job, I lost contact with Connie, sadly.  Then a little over a year ago, Pat emailed me that Connie had an artist client for whom she was doing PR who was going to be a group show nearby here, and could I come to the opening?  And suddenly, happily, we were back in contact.  Thank goodness for the internet!  

So Pat and Connie came to visit, we were having a great conversation over cafe’ lattes, when Pat suddenly said she loved the way I was sitting on my couch, under one of my paintings, and would I consider modeling for this group she paints with? Long story short, we scheduled it, and it happened a week ago Thursday.  

In the emails confirming the date, Pat was so excited that I was going to pose for them.  She wrote, “You were just so elegant sitting in your space with your large painting behind, being so animated about your work.  So, if you could bring your couch and that large painting, that would be good.”  I howled as I shared this little gem with Connie.  Just so you know, the painting she was referring to is a very large piece, the paper is 40″ tall by 60″ wide.  Unframed.  But her enthusiasm was so fun and so sweet to hear, that I offered to bring one or two of my 22″ x 30″ pieces with me to hang on the wall behind me while I posed, if she wanted.  She was thrilled. 

So, here is where I was sitting when Pat and Connie came over:  my couch and the painting over it.  I was sitting on the right side of it, leaning on the arm of the couch, as you can see in the drawing up top, with my legs up on it, out to the side.  

And here is the set-up Pat had ready for me at their studio, with a futon approximating my couch, and two of my watercolors (obviously not as large, and much easier to transport) up on the wall behind.

Very similar!  And particularly easy, since I don’t have a bevy of nubian slaves that would be able to schlep my couch and painting onto my car, and to this painting studio.  Yet.

And here is Pat with her painting of my part-way through the session.  And yes, Pat is wearing one of my scarves that her daughter Connie had ordered from me for Pat’s birthday.  Doesn’t she look great in it!

More of my experience watching others paint while I model, and their paintings in the next posting.

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2 Responses to “Being On the Other Side of the Painting Experience, Part 1”


  1. Sounds like quite an experience, Jill! I usually try to stay on my side of the camera but is fun to switch up every once in a while.


    • I have to say it was odd but kind of fun watching all the painters, looking at their faces while they painted and knowing just what would be going on in my head if I were on that side of the canvas! Their concentration, looking at their paintings and then looking up to study me was so familiar from the inside! Thanks, Lynn!


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