November 10, 2015
My palette in my paintings and in my scarves is typically bright colors. One of the six-week workshops I teach through the local junior college’s community education department is about how being strategic with color combinations can actually enliven colors. So I find it particularly intriguing to be developing a whole set of color ways for my scarves that are in more neutral colors. Here are two I did yesterday, pinned to the canvas-covered board while they are drying.
“Loop de Lou” design, in coffee and brown, and in grey and black.
They are pretty interesting, yes? Now, I’m a sincere coffee devotee, so the first color way was pretty much a “duh” for me. This one will look good with black, on white, on oranges, on light blue, on lavender, you get the idea. The one on the right, the grey, is a nice, cool grey, and will go with everything. Imagine it on red! And as much as these are perfect for winter colors, they’ll be perfect accents for spring and summer colors! Imagine they grey one on red!
Get my scarves online in my Etsy shop.
May 26, 2015
I’ve been doing a few art shows/artwalks recently, so my art-making life has been centered around them.
Last week I was a vendor in a boutique at a luncheon and fundraiser for the local chapter of the Alzheimers Association, I’m happy to support the Alzheimers Association, not only because of people I know whose families have been affected by Alzheimers, but also because this luncheon supports the caregivers of those affected by Alzheimers, and honors a caregiver each year. And I always provide a scarf for the auction they have during the luncheon, which I make just for the occasion in the AA signature purple color.
This event was followed 2 days later by the Balboa Island Art Walk. I really enjoy both these shows, and they both bring me to my target market clientele.
This was my 8th time in the Balboa Island Art Walk. Its held every May, on the bayfront walk of Balboa Island in Newport Beach, CA. The bay front walk goes around the perimeter of the island, and is at most an 8′ walkway. Artists’ displays can be at most 3′ deep. So people can easily get up close to see the artwork, and not have to make that socially awkward, unintentional commitment of walking into a 10×10 pop-up booth space to look at the work. I love that! I wish more art shows could figure this out, that the pass-by rate decreases when people don’t have to walk into a pop-up tent!
And now I’m replenishing my inventory, especially the scarves, for the upcoming Contemporary Crafts Market in Pasadena, CA, on June 5-7.
This is one of the best shows of work by fine art and hand craft makers, where the vendors who are showing are the people who actually hand-make their wares. There is a fee to get into this show, but if you go to CCM’s website, you can download a pass that gets 2 people in free for the whole three days, a $16.00 value! There’s only so many passes available, so don’t delay!
I’ll be primarily featuring my new line of hand-painted pillowcases, as well as my silk scarf line: Poppies and Poppies on Waves (above), Olive Branches, Flower Fields, Layers, Koi, Watermelon Wedges, Apples, and hopefully some designs I’m working out now that I might be able to sneak in!
September 1, 2014
An email arrived earlier this summer, someone asking about one of my paintings of plumeria. These are always fun emails to get, of course. This person was from Australia, making the contact even more exciting, to realize someone halfway around the world found my work and so enjoyed it they wanted to buy a piece. This person did end up buying that painting, and icing on the cake, they commissioned a second painting, based on a small one I posted on this blog a couple of years ago. The client wanted the commissioned piece to be larger than the original, so I got to adjust the composition, adding a more flowers to it, to make the larger format work well.
Here’s the finished commission.
I shipped both paintings together, and they arrived the other day, they have them in their “hot little hand. They are gorgeous – thank you so much!” Its so lovely knowing that something I loved making is going being enjoyed so thoroughly by someone else. Thank you back!
July 19, 2013
Homemade color wheel, approximately 3″ x 3″
I made this color “wheel” a few years ago during a one-on-one lesson with a new student from my Watercolor Workshops. We were going through the primaries and how the other colors were made from them. I found this little scrap of watercolor paper and painted the colors and numbered them. The primaries I numbered with “1”, the secondaries “2”, the tertiaries “3”. This was all new information to my student, an adult, who hadn’t learned it in grade school. She had gone through her whole life until then not knowing something that is an elemental building block of information, not only to making art, but I think to life.
This happens more frequently than I had ever thought. I have been teaching more frequently lately, in the local Jr. College’s community education, to teens at a local library in an after school program, and in my Every Other Saturday Watercolor Workshops. I’m amazed and sad that art is less and less a part of primary and secondary education. So soapbox time!
Kids need to be introduced to art early, so they have the experience of being artistic, creative, think inductively. And because its documented that art especially helps young brains think more creatively. There’s so much information available about this, about how art helps people to think in alternative pathways. Art was a regular part of my primary education, regularly in elementary school, and then I took ceramics for all but one semester of my four years of high school. I ended up a painter, but though I don’t work in clay any longer, there are things I know from those hours of potting that still inform my art.
So now I have my students paint their own color wheels using their own watercolors. Yes, you can buy very functional color wheels in an art store, but there’s nothing like the experience of creating a new color by mixing two others, or layering one transparent color over another one, to make a third color. And it lets them know what colors the paints in their palettes will be able to make. Oh the discoveries they’ll make!
I kept the color wheel I painted, its pinned to the wall next to where I paint. Not because I need it, but to remind me of the basics, and how fun it is to open others’ horizons about color.
May 26, 2013
Happy Memorial Day Weekend. I get to relax a little this weekend. I spent the last two weekends doing two art shows, one showing just the scarves, one for both the art and the scarves. I’m pooped! The first was Unique LA in downtown Los Angeles on May 11 & 12, and then on Sunday May 19th I showed for the 5th time at the Balboa Island Art Walk. I’ve showed at the Balboa Art Walk five years, now, this was my first experience with Unique LA.
The fun thing about Unique LA is that its all local, hand-crafted work. And it was held in the penthouse of the California Market Center, where clothing wholesalers are located. I had a table location to show my hand painted scarves.
My immediate fellow vendors included: on the tables on either side of me were lovely women that made jewelry, across from me was a soap maker, a woman who made letterpress cards next to her, another table of necklaces on her other side. Oh, and the place a few spaces down that made, I kid you not, both salted caramel donuts and bacon/maple donuts. Which were both over-the-top delicious, by the way. And I’ve now had my donut ration for the next five years.
This woman was my first sale Saturday morning. She must have tried on a dozen of the scarves, and each one looked better on her than the last. Here she’s in the one she ended up getting: Lavender Poppies with sap green buds.
She bought it and put it on for the rest of her day. Makes the artist’s heart go pitter pat!
Later on my friend Rheena Mae came by, and modeled this one of the Poppies design in yellow, again with sap green stems and buds. I think she needs to buy this one, don’t you?? Especially to wear with that sap green dress!
Rheena makes a line of necklaces and bracelets called Mae Mae.
The second day was Mother’s Day. I’d been talking with all my neighbors, especially the card maker, who was English, and had told her mum in London about my scarves. When she decided to get her one, she came over with her iPhone while she was Face-timing with Mum so she could show her all the scarves, and Mum could choose the one she wanted. It was so very cool! and my longest-distance ever real time sale! There we were in LA, she was in London, and we were having this conversation so she could pick what she wanted. From thousands of miles away! My grandparents would be flabbergasted. I’m still getting a thrill out of it!
The purple scarf in the middle is a new style, and it’s on a color field. I’ve started experimenting with dying the scarves a background color first, then painting the pattern on the colored background. The other styles featured are (left to right, top to bottom): Fall leaves, Flower Fields, Farfalle (in turpuoise and green), Lines & Dots, Leaves (in grass and chartreuse), Farfalle (in light orange and deep pink), and Stars (in pink with lavender centers).
I only wish I’d had another pair of hands at the show, if only to document all the fascinating things people were wearing. I could’ve done a series just of all the shoes! But I did get this on, one customer had this small purse, fabricated from soda can pop tops. Fun, isn’t it!
And finally, here’s another new design, a development of the “Poppies” design. This one features a wave pattern in the background. If you have seen my paintings, you’ll know that this wave pattern is one of my signature patterns. I am tickled how I worked out a way to include this pattern onto the scarf designs–using foam brushes and a pair of scissors. I’ve made this design so far with these hot pink poppies, as well as with orange and yellow poppies so far. Next experiment is with a different color of wave! Maybe magenta waves behind the lavender poppies? Any ideas? Leave me a comment!
Next time I’ll show you the Balboa Island Art Walk.
May 1, 2013
I’m getting ready for shows and events in May and June here in Southern California.
Next weekend, May 11th and 12th, I’ll be showing my hand-painted silk scarves at Unique LA. This local artisan made show will be at the California Market Center in their Penthouse. The show is open from 11-6 both days, my location is T106, not far from the coffee bar (you’d think they’ve met me!).
Bring your Moms for Mother’s Day! AND, if you print out and bring this blog post you’ll receive 10% off the price of any scarf (retail sales only).
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The following weekend, on May 19th, I’ll be showing for my 5th time at the terrific Balboa Island Art Walk.
This is the Art Walk’s 19th year, and there are more artists than ever showing their work. I will once again be located between Coral and Apolena Streets, just look for my apple-green umbrellas. The show is strung all along Balboa Island’s bayfront walk, overlooking lovely Newport Harbor, from Marine Avenue past the Ferry Landing. The Art Walk lasts from 9 am to 5 pm.
I hope to see you at one or both events! Thanks!
April 18, 2013
“Tuscan Hillside” ©Jill Rosoff 2012, 9″ x 12″
Imagine how funny it was that this question came up in two different workshops, two completely different groups of people. We were working on how to paint landscapes in each session, so it’s not a complete surprise. I love that it did, and it also made me a little curious. Is painting a tree a paint-by-numbers proposition? Nope. The starting point is: lets take a look at the kind of tree you want to paint.
“Trees have a spirit and personality; none of them are the same.” Trees come in all shapes, sizes and colors. The trunks of trees can be all ranges of browns, greys, even green, blue or, as in fruit trees, burgundy. The leaves are any and all shades of green, with touches of all the other colors used to create contrasts. The fun here is the learning, observing: first figuring out what the tree’s shape is, and then deciding how to put it down on the paper. Is the trunk the more visually interesting element? Or the way the crown of the tree is shaped? In watercolor, you put down the lighter elements, then build in the darker, more richly colored ones. Because, as always, in watercolor you paint light to dark. The other trees also punctuate, more because they are a textural contrast to the stripes I used in the patchwork of fields.
In the painting above, the trees, especially the pencil cypresses, act like punctuation marks, creating small points of contrast, which keeps the rest of the rich colors from sort of going flat. Put a finger up and block out the cypress trees and you’ll see what I mean.
Or look at this painting done by a fellow watercolorist/shopowner on Etsy, JC Strong. You know its a tree, but it’s a deftly shaped tree silhouette of lovely combinations of purples and greens.
I read this quote the other day on Facebook: “The best teachers are those who show you where to look, but don’t tell you what to see.” When I teach my job is to lead people down the path to explore, look and learn by observation. There’s no one formula.