June 29, 2011
Thanks to everyone who responded to my last blog posting. The majority of the feedback to my question about the Poppy Pods was in favor of leaving the painting as is. As you wish! (to quote Wesley in The Princess Bride). And thank you for all your great comments! Read them by clicking on Comments under the posting.
This week’s piece, it turns out, is the diametric opposite, it’s almost all about the patterning. I’ve had this painting on my drawing board since about March, around the time I was doing the small postcard ‘portraits’ of tulips. I had a couple of pieces of watercolor paper a little larger than the postcard-szed ones lying on the table, aching to be painted on. So I did the coral tulips, and used the patterning to echo the delicate structure of the tulips petals. And then it sat there while I paid attention to other paintings, and put on a show, and went on my oh-so-great trip to Europe last month. And so I finished it this week, still using the line detail, but not quite the same way as on the tulip petals. And here it is.
I’m starting some pieces from my trip, they’ll be arriving here soon. Mostly in the architectural vein–I love the architecture of the Spanish, French and Italian Riviera. Plus there’s a few that I started before the trip that are almost finished, that are quite fun.
Have a great Fourth of July! And a safe one!
March 25, 2011
I like the idea of a “portrait” of a flower. This series came about because of a couple of influences: one, I love tulips, if you hadn’t gotten that yet, and they’re in season. The other is that years ago I bought this little pad of watercolor paper that’s postcard sized. I thought at one point how fun it would be to paint a quick sketch of something while on vacation, and mail it off as a postcard. I’ve done a few little pieces over the years, but never mailed them. There are actually markings on the back of each piece of paper for where to put the stamp. That pad has been in my supply rack for years, so I decided to use the pad up, by painting one flower bud on each one. The pink tulip last month was the first. There are two more to come, then the pad is kaput. Got to break out some new paper, my freesias are blooming.
December 1, 2010
“Seven Pale Pink Tulips” ©Jill Rosoff 2010, 17 1/2″ x 6″ $145.00
It’s bulb-planting season, and its certainly been cold enough lately here, almost as cold as it’s supposed to be according to the Dutch. I planted bulbs years ago when I lived in Berkeley, and I’m glad that I tried it, went through the whole process, and thoroughly enjoyed keeping vigil until the plants popped out of the ground, and then watching as they bloomed into those long, lovely, statuesque flowers. I marvel at those who plant and nurture their bulbs every year in SoCal.
I did a painting similar to this one earlier this year, but the one just wasn’t enough. I felt the need to explore more the shapes of the flowers and the leaves, the colors, and how those elements work in the long, narrow format of the paper.
October 19, 2010
“Purple Pansies”, ©Jill Rosoff 2010, 6″ x 11 3/4″, framed, $185.00
I picked up a pansy plant last spring as a subject for the budding (pun coincidental) artists that are in my watercolor workshops. I forgot to take it with me, so there it was waiting for me on my painting table when I got home. I started a painting of it back then, blocking in the flowers before they bloomed and faded. And then the painting got buried under other paintings I was working on.
Last week I unearthed the painting and started working on it once more. Since I’d only blocked in the flowers, it was interesting to see where the painting would go since the ‘model’ had long since been planted in my garden. The blossoms had been elucidated in a wet-on-wet technique. I set them onto a patterned background done in drybrush. An interesting juxtaposition, yes?