February 12, 2016
Earlier this week I got to see “Red”, the Tony-award winning play about one of my favorite painters, Mark Rothko. In the first act there’s a terrific back-and-forth between Rothko and the young artist he’s hired to be his studio assistant, of different things colored red. Its a verbal panoply of all things red, and in my mind’s eye as I visualized each thing they mentioned: tomatoes, blood, lips, cherries, apple, red pepper, rose, red hair, beets, lobsters (cooked), sunsets, strawberries, pomegranates, poppies, I saw all those different versions of red: cadmium red, alizarin, vermilion, scarlet, carmine, crimson, garnet and more. All so different, and all so red. I use them a lot. Its a fun exercise, and illustrates so well the differences between warm reds and cool reds to boot. In my workshop 2 nights later we started doing a similar thing, so they could all start envisioning different variations of just the one color.
Its a fun exercise, and illustrates so well the differences between warm reds and cool reds to boot. In my workshop 2 nights later we started doing a similar thing, so they could all start envisioning different variations of just the one color.
Next: I was born in the Year of the Monkey, so it’s ‘my’ year according to the Chinese zodiac calendar. There have been some interesting illustrations for it online on various social media sites, but I wanted to share one with you all especially. A friend of mine, Kay, who does sumi-e, created a lovely tribute to this year here.
And finally, speaking of reds, have a lovely Valentines!
November 10, 2015
My palette in my paintings and in my scarves is typically bright colors. One of the six-week workshops I teach through the local junior college’s community education department is about how being strategic with color combinations can actually enliven colors. So I find it particularly intriguing to be developing a whole set of color ways for my scarves that are in more neutral colors. Here are two I did yesterday, pinned to the canvas-covered board while they are drying.
“Loop de Lou” design, in coffee and brown, and in grey and black.
They are pretty interesting, yes? Now, I’m a sincere coffee devotee, so the first color way was pretty much a “duh” for me. This one will look good with black, on white, on oranges, on light blue, on lavender, you get the idea. The one on the right, the grey, is a nice, cool grey, and will go with everything. Imagine it on red! And as much as these are perfect for winter colors, they’ll be perfect accents for spring and summer colors! Imagine they grey one on red!
Get my scarves online in my Etsy shop.
October 22, 2015
It can be trying to be both the maker of product, and the marketer of that product. It’s two completely different thought processes, two very different endeavors.
This week I’ve felt very gratified for the support of my online ‘peeps’, friends, Facebook friends, people who get my periodic email communications, everyone. I submitted on of my scarves, “Olive Branches” for a contest on Artizan Made, a wonderful website that promotes hand-made products in home decor and eco-fashion.
The winner will get a year of free advertising on the Artizan Made website. Its a short contest, just a week long, and I sent in my entry. I got notified that my scarf was accepted into the contest in the evening, just 2 days before the end of the contest. Then I posted about it on Facebook, and asked friends to both vote and share my post. I posted on Twitter, too. and sent an email out to everyone on my email list. And then I went to bed.
The next morning, I’d come even with the current leader. More votes dribbled in, and then I sent an email out to everyone on my email list. My numbers went way up. It was a blast watching the numbers rise. But more than that was enjoying all the responses, so many just saying “Done!” that was so lovely. And heartwarming. And felt so supportive. So even if I don’t win this thing, I’ve gotten so much visibility from it, it’s fantastic. And maybe a couple of early holiday sales.
October 1, 2015
Last week Fall started. We’ve had one of the hottest, muggiest months I ever recall, so its a challenge getting into a fall-like mood, and palette of colors. The colors I more readily use are more spring-like, the bright clean colors are appeal to my sensibilities. I paint with them, I use them in my home decor, I even dress in them. All year round. Egad! I even wear white after Labor Day!
The colors of autumn have that certain something, nevertheless. They are a harbinger of cooling off (at last!) from the hot summer months, and getting ready for the winter, with visions of Halloween and Thanksgiving around the corner. Here’s some of some fall colors in Blooming Silks “Loop de Lou” scarf design line:
May 26, 2015
I’ve been doing a few art shows/artwalks recently, so my art-making life has been centered around them.
Last week I was a vendor in a boutique at a luncheon and fundraiser for the local chapter of the Alzheimers Association, I’m happy to support the Alzheimers Association, not only because of people I know whose families have been affected by Alzheimers, but also because this luncheon supports the caregivers of those affected by Alzheimers, and honors a caregiver each year. And I always provide a scarf for the auction they have during the luncheon, which I make just for the occasion in the AA signature purple color.
This event was followed 2 days later by the Balboa Island Art Walk. I really enjoy both these shows, and they both bring me to my target market clientele.
This was my 8th time in the Balboa Island Art Walk. Its held every May, on the bayfront walk of Balboa Island in Newport Beach, CA. The bay front walk goes around the perimeter of the island, and is at most an 8′ walkway. Artists’ displays can be at most 3′ deep. So people can easily get up close to see the artwork, and not have to make that socially awkward, unintentional commitment of walking into a 10×10 pop-up booth space to look at the work. I love that! I wish more art shows could figure this out, that the pass-by rate decreases when people don’t have to walk into a pop-up tent!
And now I’m replenishing my inventory, especially the scarves, for the upcoming Contemporary Crafts Market in Pasadena, CA, on June 5-7.
This is one of the best shows of work by fine art and hand craft makers, where the vendors who are showing are the people who actually hand-make their wares. There is a fee to get into this show, but if you go to CCM’s website, you can download a pass that gets 2 people in free for the whole three days, a $16.00 value! There’s only so many passes available, so don’t delay!
I’ll be primarily featuring my new line of hand-painted pillowcases, as well as my silk scarf line: Poppies and Poppies on Waves (above), Olive Branches, Flower Fields, Layers, Koi, Watermelon Wedges, Apples, and hopefully some designs I’m working out now that I might be able to sneak in!
February 10, 2015
I just read the transcript of Bob Dylan’s speech last week at MusiCares, when he was honored as their Person of the Year. It’s part of the annual Grammys events. I wish I could have watched him, but it wasn’t broadcast on television. However one reporter, Randall Roberts, thought to transcribe it, and the LA Times published it. Its a hell of a good read.
“Fuchsias” ©Jill Rosoff 2011, 6″ x 17.5″
I think it’s important to remember that creativity doesn’t happen in a vacuum. It is almost as if its a redistribution of wealth, that everything that we take in, visually, aurally, emotionally, spiritually, through taste, through feel, through smell, all of it can come back out of us in the art we make, if its painting, cooking, making music, writing, or any other creative endeavor, all of it reflects what we have learned so far. My artwork is influenced by so many things, by what I learned growing up, what my parents taught me, what I saw in museums, what I tasted. Anyone who knows me knows I’ve usually got a cup of coffee with me while I’m making art. I’m influenced by a great latte. Yup, I said that.
Dylan talks about the music he listens to, how he hears the songs and then writes something that reflect them. Read especially the part about the “Come all ye” songs, and what he wrote after that. You’ll have a V-8 slap-your-forehead moment. I look at Van Gogh, and Thiebaud, and Klimt and Diebenkorn, and so many more, and then I indulge in them as I paint my paintings. Going to museums to see the actual work of these artist heroes of mine is like plugging me in, I get all excited and fascinated and wish I could paint right then and there. Thank goodness for my iPhone, I can now take notes on it. But I still often take a notebook into a show with me to jot down things. Musically I try to channel Gabby Pahinui as I struggle to get my fingers, which are ingrained in American folk music rhythms and patterns, into playing Hawaiian slack key guitar. Its my new, great struggle.
Read the transcript here, even if you don’t subscribe to the LA Times online, you can read up to 10 articles a month there for free. I’ve downloaded it so I can go reread it now and then. So can you.
And if you live in or near Orange County, CA, come take one of my watercolor workshops!
January 1, 2015
Recently in my Saturday watercolor workshops, I told my students that if they ever wanted to go to a local museum to see a show, or to an art supply store, that I could easily be persuaded to join them. One of my watercolor workshops students took me up on it, emailed me and made a date to go to a small, local, private museum, the Irvine Art Museum. We went last Tuesday afternoon.
This small museum is “Dedicated to the preservation and display of California art of the Impressionist Period (1890-1930)”. The show they have up now is of cover art from Westways Magazine, the monthly magazine of AAA. Up until 1981, Westways’ covers were all original artwork of landscapes, commissioned expressly for the magazine. These works of art for the magazine covers are as wonderful as they are varied.
Many of the artists that were engaged to do the works are known California artists, including many of the California Plein Air watercolorists: including Phil Dyke, Maynard Dixon, Maurice Logan and Rex Brandt, along with other plain air masters and illustrators. For me its always just plain fun not only seeing the actual works, but also studying each piece, working out how each artist composed their painting. And when I’m with students, talking about how the paintings were made, what the artists did to create their artwork.
For me, seeing original art is a ready-made lesson, where I get to study not only the images, and the techniques and visions of each artist. My real excitement is seeing if I can figure out how the artist painted the image, particularly with watercolors and gouaches simply because its my chosen medium. In general its fascinating to work out because in watercolors, you have to build a painting specifically due to the transparency of the paint. The more I can glean from how each artist paints, the more it feeds my own work. When I go home and paint, usually using the imagery I know, I try applying the techniques and colors I’ve just seen, and see if I can incorporate their colors, the economy of their brush strokes, and how they use dry brush over wet on wet. I sat in front of this Phil Dyke piece of Mt. San Jacinto, marveling at the broad under-painting of the shape of the mountain, and then those very few, specific brush strokes that essentially show the mountain extrusion from the ground. Wow.
Want to see some of these treasures? Just google “westways cover art“. Here’s a brief bio for Phil Dyke, too. And if you can, go see the paintings in person. There’s another one of the Grand Canyon that’s simply remarkable! Thanks for calling, Lori!
Happy New Year!